4G0A7002
4G0A7002

4G0A6813
4G0A6813

4G0A6876
4G0A6876

4G0A7002
4G0A7002

1/6
CAVALO NA CAIXA

 

CAVALO NA CAIXA is a transdisciplinary spectacle, with original dramaturgy inspired by the works "The Phantom of an Opportunity" by William Burroughs and "The Eroticism" of Battaille. It explores surreal situations between supernatural beings, seeking dialogues between plastic arts, performance and theater. Sound and light are animate beings, in a dance in which a mirror, death and history have no linear meaning.

IMG_2125
IMG_2125

IMG_2124
IMG_2124

IMG_2125
IMG_2125

1/2
IMOVÉL

 

IMOVÉL 

IMG_2755
IMG_2755

IMG_2781
IMG_2781

Captação
Captação

IMG_2755
IMG_2755

1/3
Sal

 

SAL is a theater-dance solo with original dramaturgical creation of Catarina Lacerda, based on the work of Mário Sá-Carneiro. Affirming the interpreter as a place of echoes and projections, SAL reveals echoes of the writer in the interpreter's imaginary and body, scenic, dramatic and demanding space, giving him breathing, flesh and bone. The co-authorship of Mário and Catarina is thus jeopardized in the same performative gesture.

Placa
Placa

Placa
Placa

Placa
Placa

Placa
Placa

1/7
Placa

 

we set off in demand. Insists. Resists. Survive in the path. Survive the journey. SOS. Directions. Under the skin. Contact. Body. We are foreigners.

No strings attached. Without before. No later. We came, we were born and we will. We are.

Somewhere. No matter where. Rudderless. No matter how. We just want to survive in the route. SOS. We want. Survive. Nudes. Routes. The body epicenter: kidneys, fatigue, bath, dream, food. Seismographs are in transit. All we have is the way.

All that we are.

7Hungers
7Hungers

7Hungers
7Hungers

7Hungers
7Hungers

7Hungers
7Hungers

1/5
Seven Hungers

 

blending dynamic movement, text and live song, Seven Hungers examines our needs for food, security and intimacy, and how they get confused. A journey from mouth to gut to heart quickens the pulse.

Exciting and challenging, beautiful and grotesque, Seven Hungers asks: What are we hungry for?

Nodos e Vendres #1_Pt
Nodos e Vendres #1_Pt

P1250097.jpg
P1250097.jpg

Nodos e Vendres #1_Pt
Nodos e Vendres #1_Pt

Nodos e Vendres #1_Pt
Nodos e Vendres #1_Pt

1/8
Nodos e Vendres #1

 

a musical performance that explores the resonant modes created from the excitation of an acoustic space. Wanted nodal and antinodal regions in space in order to provide different perceptions of the same sound source as the location of the public.

Mz
Mz

Mz
Mz

IMG_5882.JPG
IMG_5882.JPG

Mz
Mz

1/4
Mz

 

 

three Portuguese from different regions of the country combine meeting through an Internet site to share a ride and travel costs from Scandinavia to the home country. The trip takes place, falls in their stories already enrolled in a history beyond his, makes them travelers, aware, increasingly, that the desire to return is a fantasy. Never returns to the same location.

IMG_1328.jpg
IMG_1328.jpg

IMG_1324.jpg
IMG_1324.jpg

_MG_1262.jpg
_MG_1262.jpg

IMG_1328.jpg
IMG_1328.jpg

1/5
Strata II

 

taking inspiration from maps and mapping methods we will explore the links between movement and sound in space and reveal invisible cartographies.

We will reflect on the interesting analogies between the cartographer’s process on his journey to produce a map and the choreographer or composer’s creative process.

Research the perception of emotion in sound and movement in space and play with psychophysical features of sounds such as loudness, tempo, texture, sharpness, frequency and pitch and with the movement categorisation of the Laban Movement Anaysis, body effort, shape and space.

Invisible Empire_87_lo
Invisible Empire_87_lo

Invisible Empire_74_lo
Invisible Empire_74_lo

Invisible Empire_65_lo
Invisible Empire_65_lo

Invisible Empire_87_lo
Invisible Empire_87_lo

1/3
Invisible Empire 
 

Invisible Empire began with a curiosity about what drives people to extreme acts of resistance.

We identified needs: for understanding, for touch, for love, for acceptance. Needs that, when thwarted, can darken, turn inwards, and drive us towards a violent explosion that tries to remake a world gone wrong.

We began to locate a feeling of trappedness and a yearning for escape – escape from everything and nothing – escape perhaps even from ourselves.

Invisible Empire was the culmination of an intermittent year-long process of company training in singing and movement, as well as collective research into acts of resistance.

 

©Susana_Neves_3207
©Susana_Neves_3207

OPERA-DOS-CINCO-€
OPERA-DOS-CINCO-€

OPERA-DOS-CINCO-€2
OPERA-DOS-CINCO-€2

©Susana_Neves_3207
©Susana_Neves_3207

1/5
Opera dos 5 Euros 
 

In this mix party with test experimental band-of-garage and opera art all low cost, migrants, nomads, street performers and others, also home to the back, cohabit with our audience estimated.

Opera dos 5 euros - also known as - Trans-Ghetto-Express takes place in a device installed outside. border post, retention field in outsourcing, check point, ballroom, bazaar, new circus - dandy (former upstart), fair theater, flea market and counterfeiting ... images that we set and that set the relationship this scenic object with the spectacular / performative event.

#PP_ECOAR_006 copy
#PP_ECOAR_006 copy

custoias_V2_Low
custoias_V2_Low

#PP_ECOAR_017 copy
#PP_ECOAR_017 copy

#PP_ECOAR_006 copy
#PP_ECOAR_006 copy

1/10
Domina 
 
There is no limits. there is no friends. Family dominates the rules and the times. Pain is the day life. Womens is a marmaid mirage. Pils and muscles are the present. Future is a fake thinking. Do you what to smoke? 
This performace is a work with the emotions and fears of the young people that dwelleth the prison os custoias.